As producers, we’re constantly chasing that warm, gritty vintage vibe that just sits right in the mix. The real studio struggle is trying to set up a clean parallel processing bus, only to realize your reverb plugin is bleeding dry signal into the chain. Suddenly, you’re dealing with phase issues, eating up your precious headroom, and fighting a muddy mix. It’s a total vibe killer.

Enter WetReverb. This tiny, 4.50 MB gem is an authentic 80s rack-style digital reverb that brings absolute fire to your production arsenal.

Why WetReverb is a Game-Changer for Your Mix & Workflow

• 100% Wet Output By Default: Say goodbye to dry signal bleed on your aux sends! This plugin outputs pure reverb signal only. It is tailor-made for parallel processing in your DAW, keeping your dry transients punchy while the verb handles the space.
• Authentic 80s Grime: With its 24 kHz internal sample rate and 12-bit quantization, you get that classic, band-limited vintage grit that modern reverbs just can’t replicate. It adds incredible character without sounding harsh, thanks to the smooth TPDF dither.
• Analog Circuitry Vibe: WetReverb features real stereo crosstalk. This mimics the left/right channel bleed found in old-school hardware, giving your spatial image an organic, glued-together feel.
• Schroeder-Style Algorithm: Built on parallel comb filters and series allpass diffusion, this plugin generates lush early reflections and thick, realistic room ambience that straight-up slaps.

Tech Specs (Keep it Light)

• OS Compatibility: Windows, Mac, and Linux (Everybody gets to eat!)
• Footprint: Extremely lightweight at just 4.50 MB. Won’t hog your CPU.
• Under the Hood: 12-bit quantization, 24 kHz internal sample rate, mode-dependent high-frequency rolloff (HF Damping), and program-dependent multitapped delay lines.

The Verdict

WetReverb is an absolute must-have if you make Synthwave, Lo-Fi, or any genre that demands a nostalgic, retro aesthetic. It doesn’t try to be a pristine, modern algorithmic hall reverb – it knows exactly what it is, and it does it flawlessly.

Because it’s strictly a 100% wet signal, it forces you to use proper parallel processing techniques, which is going to instantly level up your mixdown game. It’s gritty, it’s wide, and best of all, it’s completely free.

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WetReverb-v1.0.1  ( 4 MB )

VST

We’re audio producers and sound designers with over 20 years of experience in the industry. Our team has lived through the entire evolution of digital audio production.

Our mission? To filter out the junk and bring you only the studio-ready free VSTs that actually compete with paid gear. We do the digging so you can focus on creating.

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Let’s be real for a second – working entirely in the box can sometimes make your mixes sound too pristine. You dial in a stock digital reverb to give your track some space, and it’s so mathematically perfect that it just lacks soul. Your guitars sound sterile, your synths won’t float, and the whole record ends up feeling a little flat. Getting things to sit in the mix with actual vibe is a constant struggle when everything sounds flawlessly clean. Sometimes, perfection is just boring.

Enter the MDV-II & MCV-I. This is a meticulous emulation of the legendary Alesis Midiverb II and Microverb I units—the studio workhorses that practically defined affordable digital effects back in the day.

There are two types of producers: those who think this hardware sounds “too colored,” and those who absolutely refuse to mix a track without it. If you need your sounds to smear into a lush, nostalgic wash, you need this free VST in your plugins folder.

Why MDV-II & MCV-I is a Game-Changer for Your Mix & Workflow

This isn’t just a basic 1:1 clone; it takes the classic bedroom producer’s secret weapon and supersizes it for modern DAWs. Here is how it’s going to upgrade your sound:

• 100 Instantly Usable Programs: Forget endless menu-diving. You get all 100 original factory programs organized into seven distinct categories. Just click, dial in the mix, and catch a vibe.
• Dual DASP-16 Engine Mojo: They went beyond the original hardware by linking two mathematically modeled DASP-16 chips in series. You can run Unit A into Unit B—meaning you can stack a reverse reverb into a chorus, or chain a gated verb directly into a delay.
• Pan-Spread Stereo Imaging: You can run it dead-center as a pure series chain, or spread the pans apart to separate the two stages in the stereo field. It’s perfect for creating ultra-wide spatial effects that leave plenty of headroom for your kick and bass.
• True Hardware Grime (Vintage Mode): Click the fuse icon in the toolbar, and the internal engine drops from your DAW’s 44.1 kHz down to the original unit’s native 31,250 Hz sample rate. This lowers the Nyquist ceiling to around 15.6 kHz, stretching the tails and giving you that characteristically dark, soft, bandwidth-limited warmth.
• Lightning-Fast Workflow: With intuitive Input, Mix, Pan, and Output knobs, plus a drag-to-scroll LED display, dialing in your tone takes seconds. Plus, every single parameter is fully automatable in your DAW.

Tech Specs (Keep it Light)

• Size: A super lightweight 39.4 MB
• Compatibility: WiN & MAC
• Key Features: Dual DASP-16 Emulation, 100 Factory Programs, Vintage 31,250 Hz Sample Rate Mode, Independent Pan/Mix controls per engine.
• CPU Usage: Highly optimized so you can throw it on multiple buses without your computer breaking a sweat.

The Verdict

This plugin absolutely slaps. If you are tired of sterile, clinical reverbs and want an effect that genuinely acts like an instrument itself, the MDV-II & MCV-I is a must-have. It brings back that unmistakable, colorful character that gave old-school records their magic. It’s totally free, lightweight, and packs an unlimited amount of character into a brilliant UI.

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MDV-II.0.5.4  ( 39 MB )

VST

We’re audio producers and sound designers with over 20 years of experience in the industry. Our team has lived through the entire evolution of digital audio production.

Our mission? To filter out the junk and bring you only the studio-ready free VSTs that actually compete with paid gear. We do the digging so you can focus on creating.

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We’ve all been there in the studio – you’re trying to nail that vintage dub reggae snare, or maybe you need some grimy, retro-futuristic texture on a synth lead. Stock digital hall reverbs just don’t cut it because they sound too clean and polite. You need that metallic, bouncy boing of a physical spring tank to give the track some actual soul, but who has the space or cash for the real hardware?

Enter Springer. This algorithmic stereo spring reverb absolutely slaps. It’s inspired by physical spring tanks, but it acts as a crude, chaotic model built from dual interacting spring lines. If you want a reverb that sits in the mix with tons of grit and personality, you need to load this into your session immediately.

Why Springer is a Game-Changer for Your Mix & Workflow

Unlike your standard pristine room simulators, Springer is built for pure vibe and creative sound design. Here’s how it’s gonna elevate your tracks:

• Dub-Style Drip to Sci-Fi Lazers: Thanks to its interacting spring lines and feedback loops, you can go from classic vintage springyness to crazy, self-oscillating laser sounds in seconds.
• Dial in the Thickness: The Dispersion Stages act like smear blocks. Crank them up for more high-frequency goodness and a thicker tail that fills out the stereo field beautifully.
• Wild Stereo Sauce: Tweak the Coupling knob to dictate how much spring 1 and 2 feed into each other. It creates super weird, wide stereo behavior that gives your track serious dimension.
• Complete Tonal Control: Use the Damping parameter to roll off the highs so the reverb tail doesn’t eat up your headroom, keeping the vibe dark and moody instead of harsh and splashy.
• Endless Modulations: With controls for Mod Rate, Mod Depth, and a Random Allpass button, you can make the tail gently wobble or completely pitch-bend into oblivion.

Tech Specs (Keep it Light)

• Size: A super lightweight 4.92 MB footprint.
• Compatibility: Available for Windows, Mac, and Linux.
• Installation (Win): Just drop the provided `.vst3` folder into C:\Program Files\Common Files\VST3.
• Versions Included: The download includes both Version 1.1 (which features a Pitch Slider to make the coils sound deeper and thicker) and Version 1.2 (adds up to 7 coils and expanded delay controls).
• Open Source: The source code was mostly generated with AIs, making it fully open-source. Tweak it and use it however you like!

The Verdict

If you need a reverb with genuine personality, Springer is a must-have tool for your arsenal. It’s not trying to simulate a perfect concert hall – it’s gritty, highly tweakable, and beautifully chaotic.

Whether you’re making dub reggae, lo-fi hip-hop, or experimental sound design, this freebie brings serious vintage vibe and metallic bounce to your mixes. It slaps on guitars, gives snares that perfect crack, and turns boring synths into massive sonic landscapes.

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Springer Spring Reverb VST  ( 19 MB )

VST

We’re audio producers and sound designers with over 20 years of experience in the industry. Our team has lived through the entire evolution of digital audio production.

Our mission? To filter out the junk and bring you only the studio-ready free VSTs that actually compete with paid gear. We do the digging so you can focus on creating.

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Throwing a standard stock reverb on it usually just muddies up your mix, eats up your headroom, and ruins the whole vibe. You need that expensive, lush depth without the sonic clutter. Enter Plateau 2.

Why Plateau 2 is a Game-Changer for Your Mix & Workflow

This isn’t just another boring room simulator. Plateau 2 takes the legendary open-source VCV Rack module by Valley Audio and brings it straight into your DAW as a standalone powerhouse. Here is why this plugin absolutely slaps:

• Twice the Sauce: Instead of one standard reverb, you get two distinct reverb instances (called tanks). You can route sends between these tanks to create massive, evolving spaces that standard reverbs simply can’t touch.
• Instant Vibe Upgrade: Based on the famous Dattorro (1997) design, its core algorithm is tailor-made to take dry, sterile patches and make them sound incredibly lush, deep, and spacious.
• Modular Flexibility: Unlike basic plate emulations, Plateau 2 gives you a wide variety of advanced control combinations, letting you shape the tail and tone so it sits perfectly in the mix.
• Lightweight Power: At only 32 MB, it brings boutique, CPU-friendly atmosphere to your session without bogging down your rig.

Tech Specs (Keep it Light)

• Formats: 64-Bit VST3 (Windows) / VST3 & AU (Mac)
• Size: A super slim 32 MB
• Origin: A standalone port of the beloved VCV Rack module by Valley Audio
• Price: 100% Free

The Verdict

Whether you’re making trap beats, cinematic soundscapes, or indie pop, Plateau 2 is a must-have in your arsenal. It brings a level of modular flexibility and lush spatial design that you usually only find in plugins that cost a pretty penny.

It’s highly customizable, sounds ridiculously expensive, and will save any lifeless track from the cutting room floor. Download it, load it up on an aux return, and watch your mix come to life.

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Plateau2  ( 32 MB )

VST

We’re audio producers and sound designers with over 20 years of experience in the industry. Our team has lived through the entire evolution of digital audio production.

Our mission? To filter out the junk and bring you only the studio-ready free VSTs that actually compete with paid gear. We do the digging so you can focus on creating.

freevstplugins.net

One of the biggest struggles we face as producers is getting our tracks to sit in the mix with realistic depth, without completely washing out the transients. You throw a heavy stock reverb on a lead vocal or a snare, and suddenly the whole beat feels cluttered.

The low-end gets muddy, the high-end gets harsh, and it just eats up all your valuable headroom. It’s a vibe killer when your spatial effects mask the actual punch of the record.

Enter Exoverb Micro. This plugin is absolute heat for anyone looking to add high-quality space without the mud.

Why Exoverb Micro is a Game-Changer for Your Mix & Workflow

This isn’t just another space-filler; it’s a precision tool designed to keep your mixes clean and modern. Here is why you need to add this to your arsenal:

• Dial in the Vibe Instantly: Stop scrolling through hundreds of useless presets. With 8 expertly crafted acoustic scenes, you cut out the fluff and get straight to the sauce. It delivers a truly authentic sound for modern audio production in seconds.
• Top-Tier Spatial Quality: Powered by the exact same proprietary reverb engine as its bigger brother (EXOVERB), this compact beast uses synthesized multi-IRs. The result? A lush, multi-dimensional stereo reverb that sits perfectly in the mix and respects your phase.
• Foolproof Tweaking: The intuitive triangle pad gives you total control over the acoustic scene. It lets you visually blend and dial in the absolute sweet spot for your mix without getting bogged down in clunky menus.

Tech Specs (Keep it Light)

We all know the pain of massive plugins that absolutely cook your CPU. Exoverb Micro keeps it incredibly light while delivering premium sonics:

• Size: Only 244 MB (Super lightweight for a multi-IR engine!)
• Format: Available for both WiN & MAC
• Footprint: Compact UI that won’t clutter your screen space

The Verdict

If you need a reverb that slaps right out of the box and saves you precious mixing time, Exoverb Micro is an absolute no-brainer. It gives you the premium, wide sound of top-tier studios without the heavy CPU load or the steep learning curve. It’s perfect for adding that final polish and authentic depth to your modern productions. Grab it and watch your mixes instantly open up.

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Exoverb MICRO v1.3  ( 233 MB )

VST

We’re audio producers and sound designers with over 20 years of experience in the industry. Our team has lived through the entire evolution of digital audio production.

Our mission? To filter out the junk and bring you only the studio-ready free VSTs that actually compete with paid gear. We do the digging so you can focus on creating.

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One of the biggest struggles we face in the studio is trying to give a track real width and depth without washing it out in a muddy sea of algorithmic reverb. You throw a standard plate or hall on a vocal or synth, and instead of pushing it back in the room, it just eats up all your headroom and clutters the low-mid frequencies.

It’s frustrating when you just want the element to sound like it’s living in an actual physical space alongside the rest of the instruments.

Enter Binaural Room Reverb (BiRR). This isn’t just another reverb; it’s a mathematical room simulator that places your sound into a 2D or 3D space with terrifying accuracy.

Why Binaural Room Reverb BiRR is a Game-Changer for Your Mix & Workflow

If you want your sounds to sit in the mix like they were tracked in a million-dollar live room, this plugin brings some serious sauce. Here’s why this free tool absolutely slaps:

• True Physical Space Control: Instead of generic “decay” knobs, you control the exact (x, y, z) dimensions of the room. You can physically move your source and your listener around the space to dial in the perfect vibe.
• Custom Wall Textures: Control the room’s damping by tweaking Wall Absorption (overall reflection) and High-Frequency Absorption. Turn a bright, reflective tile bathroom into a dark, padded vocal booth in seconds.
• Crazy Mic Configurations: Output your sound through simulated studio setups like XY cardioids, Mid-Side (MS) configurations, Ambisonic, or a mind-blowing Binaural mode based on the MIT KEMAR HRTF. Put headphones on, and it literally sounds like the audio is wrapping around your head.
• Direct vs. Reflected Control: Treat the direct sound path and the multi-wall reflections as separate dry/wet signals to get the absolute perfect blend without phase masking.

Tech Specs (Keep it Light)

• OS Compatibility: Windows & Linux
• File Size: 61 MB / 130 MB
• Format: 2D (rectangular) and 3D (parallelepipedic) versions included
• Input/Output: Mono or Stereo IN / Stereo, Binaural, or Ambisonic OUT
• CPU Load: Multithreaded (uses all CPUs minus 1 for impulse response calcs). Can be heavy during parameter changes, but stable once set.

The Verdict

BiRR is a highly specialized, absolute beast of a free plugin. Is it the reverb you throw on a quick hi-hat bus? Probably not. But if you are doing sound design, producing spatial/ambient music, or trying to create an incredibly realistic 3D acoustic space for a lead vocal or acoustic guitar, this plugin is unmatched. It forces you to think like an acoustic engineer, and the sonic payoff is massive. Just remember to set it, print it, and let it ride.

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BiRR 0.0.5-WiN  ( 61 MB )

BiRR 0.0.5-Linux  ( 130 MB )

VST

We’re audio producers and sound designers with over 20 years of experience in the industry. Our team has lived through the entire evolution of digital audio production.

Our mission? To filter out the junk and bring you only the studio-ready free VSTs that actually compete with paid gear. We do the digging so you can focus on creating.

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You ever listen to your mix and feel like your lead vocals are just… flat? Like they’re sitting on top of the beat instead of vibing with it? It’s a common struggle. You try to slap on a standard room reverb, but it gets muddy fast. You need that metallic, shimmering tail that only a plate can deliver, but hardware units cost a fortune and most emulations chew up your CPU.

Well, stop stressing the small stuff because I found the fix. Today we’re looking at epicPLATE mkII, and trust me, this plugin brings the sauce without costing you a dime.

Why epicPLATE mkII is a Game-Changer for Your Mix & Workflow

This isn’t just another generic reverb plugin. The devs really cooked with this one, capturing that fast, consistent buildup that vintage plates are legendary for. Here is why you need this in your plugin folder immediately:

• Instant Vibe: It recreates that classic plate tonality that makes vocals sound expensive and snares sound massive.
• The Glue Factor: Because of its unique diffusion algorithm, this reverb sits perfectly in the mix. It doesn’t fight for frequency space; it just wraps your sounds in a warm blanket.
• A Massive Glow-Up: This is the mkII version, which means they overhauled the engine for higher-quality processing and finally added VST3 support.
• Slick Workflow: The new user interface is clean and intuitive. You aren’t menu-diving; you’re dialing in the sound and moving on.
• Delay’s Best Friend: The raw data mentions this specifically—the diffusion on this unit makes it the perfect companion to run after your delay throws. It smooths out the echoes without washing them out.

Tech Specs (Keep it Light)

• Platform: Windows (WiN)
• Format: VST3 (Finally!)
• Size: A tiny 20 MB download.
• CPU Load: Very efficient compared to convolution reverbs.

The Verdict

If you are looking for that distinct, bright, and dense reverb tail, epicPLATE mkII is a no-brainer download. It covers everything from subtle depth to long, ambient washes. The update to version 2.0 brings it into the modern era with a UI that actually looks good and sound quality that rivals paid plugins.

It slaps on drums, it makes vocals shine, and it’s free. Go grab it.

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epicPLATEmkII-v2.0.1  ( 19 MB )

VST

We’re audio producers and sound designers with over 20 years of experience in the industry. Our team has lived through the entire evolution of digital audio production.

Our mission? To filter out the junk and bring you only the studio-ready free VSTs that actually compete with paid gear. We do the digging so you can focus on creating.

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If you’re tired of your ambient textures sounding static or your pads lacking that expensive “shimmer,” you need to stop what you’re doing. I found the fix. It’s called SOL, and honestly, for a free plugin, this thing has way too much headroom and character. It’s not just a reverb; it’s an atmosphere generator.

Why SOL is a Game-Changer for Your Mix & Workflow

This isn’t your standard “emulate a studio room” plugin. SOL was created in collaboration with ambient legend Chris Bryant (S1gns Of L1fe), so you know the sonic quality is going to be top-tier. It fuses a granular engine with that legendary CLOUDS-style reverb topology.

Here is why this plugin creates instant sauce for your tracks:

• Instant Depth: It takes dry, boring signals and dissolves them into wide, cosmic shadows. It makes your mix sound massive without muddying up the low-mids if you tweak it right.
• Movement is Key: Unlike static reverbs, the granular engine adds movement. It chops and scatters the audio, creating “shimmering atmospheres” that evolve over time.
• CPU Efficiency: Clocking in at just 41 MB, it’s light on your drive but heavy on the sound. It sits in the mix perfectly without hogging your resources.
• Zero Barriers: It is full professional version. No sign-up hoops to jump through, no demo restrictions. Just download and create.

Tech Specs (Keep it Light)

• Format: VST3 / AU
• Compatibility: Windows & Mac (Native Support)
• Size: ~41 MB
• Engine: Granular + CLOUDS Reverb Topology
• Price: 100% Free (No sign-up required)

The Verdict

If you produce Ambient, Lo-Fi, Cinematic scores, or even deep techno, SOL is a no-brainer. It doesn’t try to emulate a physical room; it transforms the space itself. It’s one of those plugins that creates “happy accidents”—you turn a knob and suddenly you have the intro for your next track.

It slaps, it’s free, and it’s coded with soul. Go grab it.

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Sol_1.0_WIN  ( 12 MB )

Sol_1.0_MAC  ( 44 MB )

VST

We’re audio producers and sound designers with over 20 years of experience in the industry. Our team has lived through the entire evolution of digital audio production.

Our mission? To filter out the junk and bring you only the studio-ready free VSTs that actually compete with paid gear. We do the digging so you can focus on creating.

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14 MB

This is gigantic reverberator plug-in VST, AU Windows and MacOS
It’s true algorithmic reverberator to create supermassive structures or small ambiance

algorithm is based on FDN structure

It’s available for MacOS(VST3 and AU with native support Apple Silicon) and Windows(VST3 x64) Linux version is coming

for MacOS users only:

GReverb version 1.0 is ready
I’m happy to announce that a major new update is now available!

What’s New:
Resizable GUI
The interface is now fully resizable, offering improved usability and customization.
Redesigned Modulation Algorithm
Experience smoother and more refined modulation effects with the upgraded algorithm.
Crossover Control
Split the reverberator’s tail into low and high frequencies, allowing independent control over the decay time for bass frequencies.
Enhanced Brightness Controls
Fine-tune brightness with new parameters for gain and Q factor, enabling precise tonal adjustments.
Dynamic Reverberator Time Section
A new feature dynamically calculates reverb decay time (in seconds) based on the Decay and Size parameters, providing greater control and flexibility.

New version 1.1 is ready
Optional Per-Reverberation Low-Cut Filter
A new (disconnectable) Low-cut filter with a 12 dB per octave slope is now available, fixed at 40 Hz before the reverb engine processing.
Logic Pro AU bus Layouts
Added support for Mono to Stereo and Stereo to Stereo bus layouts in Logic Pro.
FL Studio High CPU Utilization
Resolved an issue causing high CPU usage in FL Studio.
Extended Modulation Speed
Modulation speed parameters have been extended for greater flexibility.
UI State Save Issue
Fixed an issue where the plug-in state UI was not saved when reopening plugin.
(Note: The UI state still does not save when reloading the DAW.)
Damping Filter Consistency
Fixed an inconsistency in the damping filter at maximum values, which caused a balance issue in the right channel.
Internal DSP Gain Adjustment
The GReverb wet signal is now slightly louder by default due to adjustments in internal DSP gain.

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GReverb_v1.2_WIN  ( 2 MB )

GReverb_v1.2_MAC  ( 7 MB )

GReverb_v1.2_LINUX  ( 5 MB )

VST

We’re audio producers and sound designers with over 20 years of experience in the industry. Our team has lived through the entire evolution of digital audio production.

Our mission? To filter out the junk and bring you only the studio-ready free VSTs that actually compete with paid gear. We do the digging so you can focus on creating.

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78 MB

BiRR2D and BiRR3D are room simulators that accurately emulate the sound produced by a monophonic and omnidirectionnal source perceived by a listener in a rectangular (2D) or parallelepipedic (3D) room.

User can control (x, y, z) dimensions of the room, and position of source and listener in the room. The orientation of the listener can also be adjusted. Wall properties are adjusted with two or three parameters:

Wall absorbtion : a coefficient between 0 an 1, representing a reflection coefficient. The acoustic wave amplitude is multiplied by this coefficient at each wall rebound. Higher values produce a shorter reverb.

Wall high frequency absobtion : this parameter controls the high frequency absorbtion wall rebounds. Higher values produce darker reverb sound.

Wall diffusion : this parameter controls the wall diffusion properties (parameter only available in the ambisonic version, otherwise fixed to 1e-3, but this is subject to change)

The input is mono or stereo, depending on the chosen version (mono in or stereo in). The output sound is a stereo reverberberated sound with one of the following configurations:

Two cardioid microphones in XY configuration

One cardioid and one eight-pattern microphones, in MS configuration

One omni and one eight-pattern microphone, in MS configuration

Binaural receptor based on the HRTF provided by MIT medialab (https://sound.media.mit.edu/resources/KEMAR.html), and equalized to sound as neutral as possible compared to the dry original sound.

Ambisonic output (for the ambisonic version)

The 2D version simulates a 2D rectangular flat domain. Consequently, the produced binaural sound doesn’t consider height information for sources and listener. The 3D version simmulates a parallelepipedic room, height position of the sources and listener. The latter hence involves more cpu computations for the impulse responses calculations.

Direct path and reflections paths
when a parameter is changed, two stereo impluse responses are calculted and sent to convolution processors:

The direct path impluse response.

The impulse response due to multiple reflections on walls.

The effect level of direct path and reflections can be adjusted separately. These can be sought as dry and wet parameters of the reverb, although the produced sound is physically acurate when both parameters are equal.

Stereo width
In the XY configuration, this parameter specifies the angle between the two cardioid microphones. At its minimum the angle is zero and the produced sound is mono. At its maximum value, the angle equals 180 degrees, the microphones being perpendicular to the head axis. In the standard XY configuration, the angle equals 90 degrees, which occurs when the width parameter equals 0.5.

In the MS configurations the stereo with quantifies the amplitude of the figure eight microphone signal (between 0 and 1).

The stereo width parameter has no effect in the binaural configuration.

There is no such parameter in the ambisonic version

Parameters updating
At each parameter update (except reverb levels and head orientation in the ambisonic version), the impulse response is calculated. As each acoustic path has to be calculated, the computation time can be high, in particular if the damping is small.

A number of threads equal to the number of CPUs – 1 is employed for the impulse response calculation, which allows reasonable computation times (At most a few seconds for largest reverberation times on recent CPUs).

Important note: the fact that some calculation time is necessary after each parameter change prevents parameter automation, as they cannot be updated in real time. Consequently, this plugin cannot be used to move sounds in the virtual space.

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BiRR_AmbiRR.0.2_WIN  ( 28 MB )

BiRR_AmbiRR.0.2_LINUX  ( 51 MB )

VST

We’re audio producers and sound designers with over 20 years of experience in the industry. Our team has lived through the entire evolution of digital audio production.

Our mission? To filter out the junk and bring you only the studio-ready free VSTs that actually compete with paid gear. We do the digging so you can focus on creating.

freevstplugins.net