MQ57 v1.5

MQ57

size 2.79 MB

MQ57 is a parametric equalizer designed for mastering.
It is powerful, but quite easy to use after you understand what each knob and button does, so learning curve should be very mild for everyone who grasps basic principles of equalization. The main difference from other, standard EQs is that MQ57 has all controls and functions optimized for mastering needs, i.e., it has relatively wide Q factors that focus on overall balance rather than narrow cuts and boosts, moderate gain ranges for fine-tuning and functions such as channel balance and spectrum tilting. There is no hidden processing going on underneath it’s surface – what you see is what you get.

  • 7 parametric minimum-phase filters per channel, 5 of them are peak, 2 are shelf.
  • Functions and ranges optimized for subtle equalization tasks.
  • Stereo and dual-mono operating modes, either Mid/Side or Left/Right.
  • High-pass and low-pass filters for spectrum edges.
  • Specialized balance and tilt controls.
  • 32-bit internal precision with zero latency and low CPU consumption.
  • No introduced harmonic or dynamic distortion.

http://www.jovaniljadica.com/j1000/

 

MQ57  ( 2.79 MB )

Recent Posts

Tape Echo 2 – Free Vintage Delay

Tired of sterile, lifeless digital delays that sit completely flat on your lead vocals and synths? We have all been…

Decompressor – Upward Expander

Tired of lifeless, flat drum loops that got squashed into a pancake before they even touched your DAW? We have…

HALO – High-End Enhancer

Tired of your mixes sounding dull, buried, and straight up lifeless no matter how much EQ you slap on them?…

SHIFTER Pitch – Pitch & Formant VST

I've been digging through the web and found something special for your arsenal today. We've all been there in the…

LC-76 – Vintage Compressor

Tired of your drum transients getting buried or your lead vocals sounding flat and dynamic-less in a busy arrangement? We've…

MIDI Shredder – Audio To MIDI Tool

Tired of spending endless studio time trying to figure out chord progressions from a sample by ear? We have all…